Kathleen’s Open Studio in May

Kathleen will be exhibiting her recent paintings, as well as prints and note cards as a participant in Marin Open Studios over two weekends: Saturday and Sunday, May 1 & 2, and May 8 & 9 from 11 am – 6 pm, at our home in San Anselmo. Steve is sitting this one out, but will be helping Kathleen. We’re very happy that things are opening up, but we ask that you wear a mask and stay socially distanced. We will not be serving food or drink (a first!). Please stroll our garden during your visit; it’s in full spring swing. We look forward to seeing you and showing what we’ve been creating all year. Visits by appointment are welcome. 38 San Francisco Blvd., San Anselmo, CA 94960, (415) 453-3648

Above: Kathleen Lipinski, “Mt. Tamalpais from Azalea Hill”, oil on canvas, 20 x 36″.

Kathleen’s three large oil paintings.

These three 36 x 66″ oil paintings have been completed by Kathleen within the year. Some may have been posted before, but the quality of the photos of these paintings is now more accurate. All three have been painted around the edges of large profile stretchers. From the top: “Mt. Tamalpais from Blithedale Ridge”, 36 x 66″, 2021; “Sleepy Hollow Fog”, 36 x 66″, 2020; “Mt. Tamalpais/Bon Tempe Reflections”, 36 x 66″, 2020.

The deYoung Museum “Open” Closes.

Steve’s “Sense of Place”

The organization that produces Marin Open Studio is attempting to stay relevant in these lock-down times by offering artists opportunities to participate in online, juried shows. The current theme is “A Sense of Place”, inspired by the recent passing of San Geronimo Valley artist, Connie Smith Siegel. Connie’s trust also contributed an award. Steve received an Honorable Mention and is featured in the short film of the prize winners.
Steve has a long connection with this show title, going back to his college days at UCSC. “While an art student, I had a class with Alan Gussow, from the Hudson River Valley in New York, an artist and activist who had run for Congress. He took our class down to the French-intensive Farm Project to paint & teach the lessons of the importance of land use and landscape. His many paintings of his own garden, compost and harvest were personal and reflected in his unique language of paint. He had written a book, and made a film, “A Sense of Place”, featuring artists in “their” place, throughout the U.S.. It was a slice of artists engaged with the light in those locations, their uniqueness and the artist’s relationship within these varied landscapes. When their work was seen over time, the elements varied, but not their connection, their immersion & love of, and for, their place. The smells, the temperature, the humidity, the light, the land usage, were all part of the language of these artists. 

 Steve entered a painting which he felt best represented a place in the Sierra he has considered home since 1958. He returns each year to fully engage in every part of this intimate, but glacial-sculpted stretch of stream. During the ’80’s Connie and several other artist friends joined Steve & Kathleen, so this place also brought back the spirit of Connie. There is a great photo of Connie sliding down one of the longer granite slides, a look of horror & thrill on her face! Steve’s painting was this same particular granite slide.“ We returned this year, a week before the Creek Fire exploded in flame, burning everything surrounding this place, but not this stretch of creek and the fire continued to burn into the canyon we backpacked into last year. I chose to enter this piece for these personal, emotional reasons, but also for the “sense” or “sensation”, of sitting at the top of this slide. As a kid, you wiggle your butt to get some slickness on your sliders, then look down, anticipating all that compels one to even attempt this: the cold, deep pool at the end, the possibility of missing the turn, the excitement, the thrill, the fear.”

“To start this painting, I took a photo of the top of this slide and I worked on a 3 x 3′ canvas, a larger size for me. As I worked from the photo, I was an observer of a place, but not a participant in the place. So, I tried placing myself at the top, as a kid, and who I am now, with the same sensations, and the painting changed in this direction. The vertigo inducing concentric circles evolved to better plunge over the edge. Remnants of the realism remain, but all else was a search for that overwhelming sense of that very seat. As an artist, I was extremely satisfied with the result. It was a total immersion of,  and in, that place. 

Understandably, not many have sat at the top of a natural water slide, experienced this fluid and active sense of place, recognizing the intent, or execution of something  both intimate & universal. Hopefully, this gives insight into this painting and what inspires Steve’s Sense of Place.

Art on the Avenue

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Kathleen Lipinski, Marin landscape artist is showing through November in a storefront on San Anselmo Ave.

The San Anselmo Arts Commission has been busy! They recently created “Art on the Avenue” presenting local art in vacant storefronts and have commissioned artists to paint utility boxes throughout town. Kathleen and artist Christin Coy are currently exhibiting in the windows of 538 San Anselmo Avenue, across from Town Hall, through November 30. Kathleen’s latest large canvas of Tamalpais from Sleepy Hollow (pictured above) is on display, as well as large and small paintings and prints. It’s a great opportunity to show in our home town! 

Lipinski’s “View from Mt. Burdell” in the de Young Open.

Kathleen’s 36 x 66 oil painting was delivered Monday, to be hung in the de Young Open. The juried exhibition of Bay Area artists will open October 10, 2020, and run through January 3, 2021. There will be an artist’s reception, a member’s reception, and timed tickets will be required to visit the exhibition.

Kathleen in upcoming show at the deYoung Museum in San Francisco!

Kathleen’s 36 x 66″ oil painting, View from Mt. Burdell” was accepted into the deYoung Open, a salon style exhibition of Bay Area Artists at the deYoung Museum in Golden Gate Park. Less than 900 entries were selected from 11,000 entries. We’re VERY excited! The Museum is currently closed, so exhibition dates will be announced in the future- please stay tuned!

A few months have passed in our studios.

This view from Mt. Burdell is a 36 x 66″ oil on canvas. Kathleen has finished many painting the last several months, sheltering in her studio.We’ve begun to show work in our home gallery by appointment. Please don’t hesitate to call for an appointment or questions. (415) 453-3648. The last few months have been a challenge, and we’ve gotten to know well, all the local trails from our home. All exhibitions, open studios & the final Marinscapes are over, or were canceled, but we’ve both been quite productive all the while.

A Creative Spring

The oil painting above, “Mt. Tamalpais from Richardson Bay”, 30 x 25″, was created with the Mill Valley Fall Arts Festival poster in mind. Stay tuned for details.                                                                                                               We’ve been busy painting & gardening and usually look forward to sharing our art & garden during May Open Studios, now canceled. We’d still love to see you, one or two at a time, if you’re interested in seeing what’s new in the garden or on our walls. Please email or call, (415) 453-3648, for an appointment. We’ll respect all social distancing rules. Wishing you a safe and healthy spring as we care for one another.

 

Kathleen & Steve continue to show their artwork by appointment through December.

Those who missed our recent open studio, have out-of-town family or friends, shopping for yourself or others, all are welcome to call for an appointment to see all our artwork in our home gallery & studio. Please don’t hesitate to call! There’s no obligation and we love showing our work. (415) 453-3648. Evenings and weekends are fine, too!